 Australasian Drama Studies
Volume 54 April 2009
Table of Contents - Issue 054 (Full Issue PDF)
- EDITORIAL NOTE: Geoffrey Milne
- LAURENCE SENELICK Place Settings: Real Estate or Imagined Estates in Chekhov and Kantor
- MARY-BRIT AKERHOLT A Sense of Otherness? The Balancing Act of Translation
- MEGAN HOFFMAN Is a Fashion Show the Place for Social Commentary? Investigating the Spectacle Dressed Up in Ideas in Hussein Chalayan's After Words
- DAVID A. WILLIAMS Killing the Audience: Forced Entertainment's First Night
- GILLIAN ARRIGHI Negotiating National Identity at the Circus: The FitzGerald Brothers' Circus in Melbourne, 1892
- MARTIN LIPTON 'Our Madge and Cyril': Ghosted framings of the Public and Private Partnership of Madge Elliott and Cyril Ritchard
- NIGEL JAMIESON Rex Cramphorn memorial Lecture: Make it Relevant
- DENISE VARNEY Radical Disengagement and Liquid Lives: Criminology by Arena Theatre Company
- ROB PENSALFINI Not in Our Own Voices: Accent and Identity in Contemporary Australian Shakespeare Performance
- ADELE CHYNOWETH Am Dram and Art Galleries: The Marginalisation of Professional theatre in Australia's National Capital
- JONATHAN BOLLEN, NEAL HARVEY, JULIE HOLLEDGE and GLEN MCGILLIVRAY AusStage: e-Research in the Performing Arts
- Review:GLENN D'CRUZ, , Stage Presence by Jane Goodall;
- Review: GEOFFREY MILNE, Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia by Helen Gilbert and Jacqueline Lo;
- Review: CAROLYN D'CRUZ, What a Man's Gotta Do? Masculinities and Performance by Adrian Kiernander, Jonathan Bollen and Bruce Parr;
- Review: GEOFFREY MILNE, Nick Enright: An Actor's Playwright, , edited by Anne Pender and Susan Lever;
- Review: LISA WARRINGTON, Two Plays: Falemalama and The Packer by Dianna Fuemana and The Daylight Atheist by Tom Scott;
- Review: FINCINA HOPGOOD, Alvin Purple by Catherine Lumby and The Piano by Gail Jones;
- Review: DAVID O'DONNELL, Signatures of the Past: Cultural memory in Contemporary Anglophone North American Dramaedited by Marc Maufort and Caroline De Wagter.
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| Issue 054 (Full Issue PDF) |
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Unfortunately you do not have access to this item |
| EDITORIAL NOTE: Geoffrey Milne |
|
|
Unfortunately you do not have access to this item |
| LAURENCE SENELICK Place Settings: Real Estate or Imagined Estates in Chekhov and Kantor |
|
|
Unfortunately you do not have access to this item |
| MARY-BRIT AKERHOLT A Sense of Otherness? The Balancing Act of Translation |
|
|
Unfortunately you do not have access to this item |
| MEGAN HOFFMAN Is a Fashion Show the Place for Social Commentary? Investigating the Spectacle Dressed Up in Ideas in Hussein Chalayan's After Words |
|
|
Unfortunately you do not have access to this item |
| DAVID A. WILLIAMS Killing the Audience: Forced Entertainment's First Night |
|
|
Unfortunately you do not have access to this item |
| GILLIAN ARRIGHI Negotiating National Identity at the Circus: The FitzGerald Brothers' Circus in Melbourne, 1892 |
|
|
Unfortunately you do not have access to this item |
| MARTIN LIPTON 'Our Madge and Cyril': Ghosted framings of the Public and Private Partnership of Madge Elliott and Cyril Ritchard |
|
|
Unfortunately you do not have access to this item |
| NIGEL JAMIESON Rex Cramphorn memorial Lecture: Make it Relevant |
|
|
Unfortunately you do not have access to this item |
| DENISE VARNEY Radical Disengagement and Liquid Lives: Criminology by Arena Theatre Company |
|
|
Unfortunately you do not have access to this item |
| ROB PENSALFINI Not in Our Own Voices: Accent and Identity in Contemporary Australian Shakespeare Performance |
|
|
Unfortunately you do not have access to this item |
| ADELE CHYNOWETH Am Dram and Art Galleries: The Marginalisation of Professional theatre in Australia's National Capital |
|
|
Unfortunately you do not have access to this item |
| JONATHAN BOLLEN, NEAL HARVEY, JULIE HOLLEDGE and GLEN MCGILLIVRAY AusStage: e-Research in the Performing Arts |
|
|
Unfortunately you do not have access to this item |
| Review:GLENN D'CRUZ, , Stage Presence by Jane Goodall; |
|
|
Unfortunately you do not have access to this item |
| Review: GEOFFREY MILNE, Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia by Helen Gilbert and Jacqueline Lo; |
|
|
Unfortunately you do not have access to this item |
| Review: CAROLYN D'CRUZ, What a Man's Gotta Do? Masculinities and Performance by Adrian Kiernander, Jonathan Bollen and Bruce Parr; |
|
|
Unfortunately you do not have access to this item |
| Review: GEOFFREY MILNE, Nick Enright: An Actor's Playwright, , edited by Anne Pender and Susan Lever; |
|
|
Unfortunately you do not have access to this item |
| Review: LISA WARRINGTON, Two Plays: Falemalama and The Packer by Dianna Fuemana and The Daylight Atheist by Tom Scott; |
|
|
Unfortunately you do not have access to this item |
| Review: FINCINA HOPGOOD, Alvin Purple by Catherine Lumby and The Piano by Gail Jones; |
|
|
Unfortunately you do not have access to this item |
| Review: DAVID O'DONNELL, Signatures of the Past: Cultural memory in Contemporary Anglophone North American Dramaedited by Marc Maufort and Caroline De Wagter. |
|
|
Unfortunately you do not have access to this item |
|
