 Australasian Drama Studies
Volume 52 April 2008
Table of Contents - Issue 052 (Full Issue PDF)
- MARGARET HAMILTON Postdramatic Theatre and Australia: A 'New' Theatre Discourse
- KIM BASTON 'If I Had Something To See, Would It Be Theatre?' - Musicians Performing the 'Musician'
- T.BERTO Competing Histories, Clashing Cultural Systems: Yanagai! Yanagai! Challenges the Valorisation of Testimony in the Olney Decision
- STEPHEN CARLETON Darwin as the Frontier Capital: Theatrical Depictions of City Space in the North
- GLEN MCGILLIVRAY Mis-recognised Knowledges: National Identity and the Unreliable Narrator in Jack Hibberd's A Stretch of the Imagination and Josephine Wilson's The Geography of Haunted Places
- LAURA GINTERS Interview: Lindy Davies: A Path to a Process, Part 2
- SCOTT RANKIN DIY Virtuosity versus Professional Mediocrity
- NICOLE ANAE Poses Plastiques: The Art and Style of 'Statuary' in Victorian Visual Theatre
- MELISSA BELLANTA The Larrikin's Hop: Larrikin and Late Colonial Popular Theatre
- LUCY CHESSER More Playful than Anxious: Cross-dressing, Sex-impersonation and the Colonial Stage
- RYAN HARTIGAN 'They Watch Me As They Watch This': Alfred Jarry, Symbolism and Self-as-Performance in Fin-de-Siecle Paris
- CHRISTINE COMANS La Boite Theatre Company: A Distinctive History
- Review:　MARYROSE CASEY, Contemporary Indigenous Plays by Vivienne Cleven, Wesley Enoch, David Milroy and Geoffrey Narkle, Jane Harriosn and David Milroy;
- Review: DAVID CROUCH, Unsettling Space: Contestations in Contemporary Australian Theatre by Joanne Tompkins;
- Review: FRANCES DEVLIN-GLASS, Creating Frames: Contemporary Indigenous Theatre, 1967-1990 by Maryrose Casey;
- Review: TERENCE CRAWFORD, Frankly Acting by John Nobbs.
- Review: HILARY HALBA, and what remains by Miria George;
- Review: MARK GAUNTLETT, The Stukeley Plays: The Battle of Alcazar by George Peele; The Famous History of the Life and Death of captain Thomas Stukeley edited by Charles Edelman;
- Review: PETER ECKERSALL, The Aesthetics of Quietude: Ota Shogo and the Theatre of Divestiture by Mari Boyd;
- Review: MARK SETON, Etienne Decroux by Thomas Leabhart;
- Review: VICTOR EMELJANOW, The Mask Handbook: A Practical Guide by Toby Wilsher;
- Review: MARK SETON, Making Video Dance: A Step-by Step Guide to Creating Dance for the Screen by Katrina McPherson
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| Issue 052 (Full Issue PDF) |
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|
Unfortunately you do not have access to this item |
| MARGARET HAMILTON Postdramatic Theatre and Australia: A 'New' Theatre Discourse |
|
|
Unfortunately you do not have access to this item |
| KIM BASTON 'If I Had Something To See, Would It Be Theatre?' - Musicians Performing the 'Musician' |
|
|
Unfortunately you do not have access to this item |
| T.BERTO Competing Histories, Clashing Cultural Systems: Yanagai! Yanagai! Challenges the Valorisation of Testimony in the Olney Decision |
|
|
Unfortunately you do not have access to this item |
| STEPHEN CARLETON Darwin as the Frontier Capital: Theatrical Depictions of City Space in the North |
|
|
Unfortunately you do not have access to this item |
| GLEN MCGILLIVRAY Mis-recognised Knowledges: National Identity and the Unreliable Narrator in Jack Hibberd's A Stretch of the Imagination and Josephine Wilson's The Geography of Haunted Places |
|
|
Unfortunately you do not have access to this item |
| LAURA GINTERS Interview: Lindy Davies: A Path to a Process, Part 2 |
|
|
Unfortunately you do not have access to this item |
| SCOTT RANKIN DIY Virtuosity versus Professional Mediocrity |
|
|
Unfortunately you do not have access to this item |
| NICOLE ANAE Poses Plastiques: The Art and Style of 'Statuary' in Victorian Visual Theatre |
|
|
Unfortunately you do not have access to this item |
| MELISSA BELLANTA The Larrikin's Hop: Larrikin and Late Colonial Popular Theatre |
|
|
Unfortunately you do not have access to this item |
| LUCY CHESSER More Playful than Anxious: Cross-dressing, Sex-impersonation and the Colonial Stage |
|
|
Unfortunately you do not have access to this item |
| RYAN HARTIGAN 'They Watch Me As They Watch This': Alfred Jarry, Symbolism and Self-as-Performance in Fin-de-Siecle Paris |
|
|
Unfortunately you do not have access to this item |
| CHRISTINE COMANS La Boite Theatre Company: A Distinctive History |
|
|
Unfortunately you do not have access to this item |
| Review:　MARYROSE CASEY, Contemporary Indigenous Plays by Vivienne Cleven, Wesley Enoch, David Milroy and Geoffrey Narkle, Jane Harriosn and David Milroy; |
|
|
Unfortunately you do not have access to this item |
| Review: DAVID CROUCH, Unsettling Space: Contestations in Contemporary Australian Theatre by Joanne Tompkins; |
|
|
Unfortunately you do not have access to this item |
| Review: FRANCES DEVLIN-GLASS, Creating Frames: Contemporary Indigenous Theatre, 1967-1990 by Maryrose Casey; |
|
|
Unfortunately you do not have access to this item |
| Review: TERENCE CRAWFORD, Frankly Acting by John Nobbs. |
|
|
Unfortunately you do not have access to this item |
| Review: HILARY HALBA, and what remains by Miria George; |
|
|
Unfortunately you do not have access to this item |
| Review: MARK GAUNTLETT, The Stukeley Plays: The Battle of Alcazar by George Peele; The Famous History of the Life and Death of captain Thomas Stukeley edited by Charles Edelman; |
|
|
Unfortunately you do not have access to this item |
| Review: PETER ECKERSALL, The Aesthetics of Quietude: Ota Shogo and the Theatre of Divestiture by Mari Boyd; |
|
|
Unfortunately you do not have access to this item |
| Review: MARK SETON, Etienne Decroux by Thomas Leabhart; |
|
|
Unfortunately you do not have access to this item |
| Review: VICTOR EMELJANOW, The Mask Handbook: A Practical Guide by Toby Wilsher; |
|
|
Unfortunately you do not have access to this item |
| Review: MARK SETON, Making Video Dance: A Step-by Step Guide to Creating Dance for the Screen by Katrina McPherson |
|
|
Unfortunately you do not have access to this item |
|
