 Australasian Drama Studies
Number 39 October 2001
Performance Studies in Australia
Edited by Gay McAuley, Glenn D’Cruz and Alison Richards
A special focus issue of Australasian Drama Studies
Table of Contents
- Issue 039 (Full Issue PDF)
- Performance Studies: Definitions, Methodologies, Future Directions GAY McAULEY
- Performance Studies in Australia Today: a Survey of the Field GLENN D’CRUZ
- Learning in/Through Crisis IAN MAXWELL
- Shaking the Frame: Erving Goffman and Performance Studies ALISON RICHARDS
- Toil and Traffic: Australian Appropriations of the Suzuki Method HELEN GILBERT and JACQUELINE LO
- The Dialectics of Inter-Cultural Performance: Towards a Historiographic Cross-Cultural Praxis JONATHAN MARSHALL
- The More Things Change the More They Stay the Same…’? Feminisms and Performance Studies KERRIE SCHAEFER and LAURA GINTERS
- Performance Studies: a Tour Through the Field JONATHAN BOLLEN
- Discourses of an ‘International’ Disciplinary F ormation: Australian and International Performance Studies Conference Diaries 1991-2001 RACHAEL FENSHAM
- Discussing Theory-Practice Relationships in Performance: a Round-Table Discussion with Annette Tesoriero, Tess de Quincey,Deborah Pollard, John Baylis, David Pledger, Josephine Wilson PETER EC
- Review:HELEN THOMSON, Meat Party by Duong Le Quy
- Review: BARBARA JOSEPH, Sweet Road by Deborah Oswald
- Review: GEOFFREY MILNE, Melbourne Stories: Three Plays: Who’s Afraid of the Working Class? by Andrew Bovell, Patricia Cornelius, Melissa Reeves, Christos Tsiolkas and Irine Vela; Polly Blue by
Reviews
TOM BURVILL, The Chekhov Theatre: A Century of the Plays in Performance by Laurence Senelick
REBECCA PELAN, The Politics of Irish Drama: Plays in Context from Boucicault to Friel by Nicholas Grene
JACQUELINE LO, The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization by Rustom Bharucha
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| Issue 039 (Full Issue PDF) |
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Unfortunately you do not have access to this item |
| Performance Studies: Definitions, Methodologies, Future Directions GAY McAULEY |
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Unfortunately you do not have access to this item |
| Performance Studies in Australia Today: a Survey of the Field GLENN D’CRUZ |
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Unfortunately you do not have access to this item |
| Learning in/Through Crisis IAN MAXWELL |
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Unfortunately you do not have access to this item |
| Shaking the Frame: Erving Goffman and Performance Studies ALISON RICHARDS |
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Unfortunately you do not have access to this item |
| Toil and Traffic: Australian Appropriations of the Suzuki Method HELEN GILBERT and JACQUELINE LO |
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|
Unfortunately you do not have access to this item |
| The Dialectics of Inter-Cultural Performance: Towards a Historiographic Cross-Cultural Praxis JONATHAN MARSHALL |
|
|
Unfortunately you do not have access to this item |
| The More Things Change the More They Stay the Same…’? Feminisms and Performance Studies KERRIE SCHAEFER and LAURA GINTERS |
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|
Unfortunately you do not have access to this item |
| Performance Studies: a Tour Through the Field JONATHAN BOLLEN |
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Unfortunately you do not have access to this item |
| Discourses of an ‘International’ Disciplinary F ormation: Australian and International Performance Studies Conference Diaries 1991-2001 RACHAEL FENSHAM |
|
|
Unfortunately you do not have access to this item |
| Discussing Theory-Practice Relationships in Performance: a Round-Table Discussion with Annette Tesoriero, Tess de Quincey,Deborah Pollard, John Baylis, David Pledger, Josephine Wilson PETER EC |
|
|
Unfortunately you do not have access to this item |
| Review:HELEN THOMSON, Meat Party by Duong Le Quy |
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|
Unfortunately you do not have access to this item |
| Review: BARBARA JOSEPH, Sweet Road by Deborah Oswald |
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|
Unfortunately you do not have access to this item |
| Review: GEOFFREY MILNE, Melbourne Stories: Three Plays: Who’s Afraid of the Working Class? by Andrew Bovell, Patricia Cornelius, Melissa Reeves, Christos Tsiolkas and Irine Vela; Polly Blue by |
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Unfortunately you do not have access to this item |
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