Australasian Drama Studies

Volume 55 October 2009

Table of Contents

1. Issue 055 (Full Issue PDF)
2. JERRY C. JAFFE Loop/I/-ness in the New Zealand Performance of Identity (or, Id Entity)
3. DAVID O'DONNELL Politics of Place and Extended Family in Taki Rua Productions' 25th Year: Strange Resting Places and Te Karakia
4. STUART YOUNG and MEI-LIN TE PUEA HANSEN A Dramatic Hijacking: Arthur Millerising Haruru Mai at the Auckland Theatre Company
5. HILARY HALBA The Flames of Hope: The Representation of Prophecy in Two New Zealand Plays
6. ADRIANN SMITH Home Land or Homeland?: Taking Root in the Land of Aotearoa/New Zealand
7. LISA WARRINGTON Landscape, Body, memory and Belonging in the plays of Gary Henderson
8. GEORGE PARKER Hatching: Hatch or the Plight of the Penguins and the Search for a sense of Place in New Zealand Solo Performance
9. PALOMA FRESNO CALLEJA Monodramas for a Multiculture: Performing New Zealand Chinese Identities in Linda Chanwai-Earle's Ka Shue/Letters Home
10. MURRAY EDMOND 'I Want You Boys to Cook Pig': the Two No.2s
11. IAN GASKELL Truth, Identity and the Sense of 'Pacificness'
12. MOIRA FORTIN Takona: Body Painting in Rapa Nui Performing Arts
13. Review:MARY ELIZABETH ANDERSON,Unstable Ground: Performance and the Politics of Place, edited by Gay McAuley;
14. Review:MARYROSE CASEY, 'Your Genre is Black':Indigenous Performaing Arts and Policy, by Hilary Glow and Katya Johanson;
15. Review: JONATHAN W. MARSHALL, Anatomy Live: Performing and the Operating Theatre, edited by Maaike Bleeker;
16. Review: GEOFFREY MILNE, Directors/Directing: Conversations on Theatre, by Maria Shevtsova and Christopher Innes;
17. Review: JOHN JACOBS, Bertolt Brecht, by Meg Mumford:
18. Review: DAVID O'DONNELL, The Cape, by Vivienne Plumb and The Mall, by Thomas Sainsbury